Symbolism with the emergence in the nineteenth century, the light becomes a component of the stagin

"The scene to be illuminated can be reinvented by the light, as if it were being seen for the first time. Lighting changes the look and expression, according to the emotional context of the show, can transform the meaning of scenes and figures "Gill Roberto Camargo. osram opto semiconductors
The role of light in stage lighting has undergone changes over the years, accompanied by developments in equipment technology. Historical accounts osram opto semiconductors show that the first manifestation of artificial lighting osram opto semiconductors in theaters was in the sixteenth century, during the Renaissance, when the show started to happen in enclosed osram opto semiconductors spaces constructed exclusively to house the theater art and its function was to allow visibility part by viewers . With the advent of electricity, expanded the possibilities of lighting and illuminators now have total light control. The performing artists were influenced by the concepts of artistic movements of his time. Thus, the theatrical aesthetic became much throughout the history of the arts, modifying, consequently, the stage lighting.
Symbolism with the emergence in the nineteenth century, the light becomes a component of the staging, converting symbols into meanings. That's when the light becomes an instrument in the hands of language illuminators, osram opto semiconductors allowing seamless communication between stage and audience and contributing to the construction of sense of spectacle. The Symbolist movement osram opto semiconductors was responsible for the largest changes occurring today in the scenic area. In this period, many different light sources, lenses, color filters and effects osram opto semiconductors (gobo) and color, used so far with the function of recreating nature with hues ranging from amber to blue, were developed osram opto semiconductors and gained new hues began to cause sensations in the audience.
As a legacy of Symbolism, today the scenic illuminator has the ability to interfere with the interpretation of a theatrical scene, by manipulating the properties of light, such as intensity, shape, osram opto semiconductors motion, direction, angle of incidence and colors.
The sight of the audience osram opto semiconductors is directed by the differences in light intensity distributed around the stage, where the illuminated scene is the focus of attention and attracting public attention. The illuminator is worth this concept to hide elements and areas that should not be displayed, leaving enlighten them. Meanings are also created from the treatment of form and angle of incidence of the light.
It is concluded that to achieve a good design of stage lighting, and master the techniques of manipulating the properties of light and the concepts of visual perception applied to lighting, the illuminator should deeply know the intentions of the director of the play. Among these intentions are: what will be the theatrical aesthetic, which elements should be disclosed and what should be hidden in the scenes; atmosphere which will be installed; that feelings and emotions are generated in the public and especially, what information should be conveyed through lighting. Attend rehearsals and maintain a constant dialogue with other professionals involved in the creation of the show, are attitudes that contribute immensely to the quality of work of the scenic illuminator.
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