Patricia Urquiola (Patricia Urquiola). The special character of each thing, "D.Zhurnal" - magazine about design and architecture
Patricia Urquiola was born in 1961 in the northwest of the Iberian Peninsula, canadian centre for architecture in the Spanish city of Oviedo. In the veins of her mixed blood Basques and Asturians that left its mark not only on the character, but also on the creativity of the designer.
The desire to become an architect appeared in childhood and, apparently, it had inherited from his father. canadian centre for architecture All his life he dreamed of becoming canadian centre for architecture an architect. The family is always interested in architecture and interior canadian centre for architecture design. Already at the age of twelve, Patricia knew exactly what her future will be related to architecture and design. And it meant that you have to move from their home in Oviedo Madrid or Barcelona.
Patricia first studied architecture in Madrid, and then continued her education in Italy, where she graduated from the Milan Polytechnic Institute. Her supervisor was the famous Achille Castiglioni. It was he who persuaded Patricia is that the design is not less attractive than the design of buildings, and gives more room for creativity. Under his leadership, Patricia realized that you can do graceful and exquisite canadian centre for architecture things to which we are accustomed to in everyday canadian centre for architecture life: the lamp, sofa, knife ...
Since 1989, she began working under the direction of Achille Castiglioni, including helping to co-organized with Eugenio Bettinelli canadian centre for architecture courses in Milan, and Paris. Self designer Patricia activity begins in 1991. Then she led the product development office of De Padova, engaged in production of furniture.
It was then that Vico Magistretti with it develops its first pieces of furniture. It was an important experience for her, as she later recognized designer. And in the first works of Patricia manifested her an idea of what should be the design: simple but elegant, simple but elegant.
Two years later, Patricia, together with two of his friends opened a studio, which was engaged in interior design, exhibition halls and restaurants. In 1996, she became canadian centre for architecture the manager of Lissoni - association of designers.
Own studio appeared at Patricia in 2001. That studio and became the place where all the talents and creative personality of the designer. Working canadian centre for architecture individually, the focus is paid to the design of products, interior architecture. The greatest fame it brought canadian centre for architecture numerous developments for Moroso.
Work on the project, Patricia knows how to listen to the wishes of the customer, take into account the features of the company, emphasizing their individuality and uniqueness. canadian centre for architecture Currently Patricia - winner of many international design awards, author of famous works for companies B & B, Moroso, canadian centre for architecture Alessi, Driade, Foscarini, Kartell, Flos, Molteni, Aelano and others.
Each of their projects that Patricia canadian centre for architecture works, it considers the best. Perhaps that is why each of her work turns a complete, concise and elegant of her own style.
Created by Patricia Urquiola furniture describe one or two words hard as to determine what it could be: it can neither be extravagant canadian centre for architecture or sexual stressed or worn or brutal or too subtle or refined. It does not correspond to any particular style or represent themselves in a loud voice. But it differs reasonableness, up to the last detail, context aware and excellent quality. Every thing creates a feeling of comfort and homeliness. In addition, each of them highly individual and has its own character.
Before you create an item, Patricia is exactly where it will be and how it will be used. Therefore, every created thing it attracts attention and arouses curiosity its special elegance.
Creativity Patricia Urquiola is distinguished not only the search for new solutions and original approach to traditional canadian centre for architecture things, but also the ability to make believe manufacturers in her idea. For example, canadian centre for architecture traditional dining chair differs from the classical forms of special soft, cozy interior, combined with comfortable curves. In this case, Patricia urges manufacturers canadian centre for architecture to expand the boundaries of their capabilities. Producing companies know how to produce, and the task of the designer, in her opinion, to convince them that it is necessary to go beyond the boundaries of the production of traditional and standard things.
Amazing flair for materials - another feature of Spanish designer creativity. Each time you select an unexpected material for furniture upholstery or other covering, she guesses the desires of consumers. With preference given to synthetic materials, different high-tech manufacturing. For example, it Baque lamp for Foscarini made of industrial steel mesh which had been dipped in silicon.
Patricia is not afraid to make things clear, but not very fan of glass products, preferring to replace them with other materials. For example,
Patricia Urquiola was born in 1961 in the northwest of the Iberian Peninsula, canadian centre for architecture in the Spanish city of Oviedo. In the veins of her mixed blood Basques and Asturians that left its mark not only on the character, but also on the creativity of the designer.
The desire to become an architect appeared in childhood and, apparently, it had inherited from his father. canadian centre for architecture All his life he dreamed of becoming canadian centre for architecture an architect. The family is always interested in architecture and interior canadian centre for architecture design. Already at the age of twelve, Patricia knew exactly what her future will be related to architecture and design. And it meant that you have to move from their home in Oviedo Madrid or Barcelona.
Patricia first studied architecture in Madrid, and then continued her education in Italy, where she graduated from the Milan Polytechnic Institute. Her supervisor was the famous Achille Castiglioni. It was he who persuaded Patricia is that the design is not less attractive than the design of buildings, and gives more room for creativity. Under his leadership, Patricia realized that you can do graceful and exquisite canadian centre for architecture things to which we are accustomed to in everyday canadian centre for architecture life: the lamp, sofa, knife ...
Since 1989, she began working under the direction of Achille Castiglioni, including helping to co-organized with Eugenio Bettinelli canadian centre for architecture courses in Milan, and Paris. Self designer Patricia activity begins in 1991. Then she led the product development office of De Padova, engaged in production of furniture.
It was then that Vico Magistretti with it develops its first pieces of furniture. It was an important experience for her, as she later recognized designer. And in the first works of Patricia manifested her an idea of what should be the design: simple but elegant, simple but elegant.
Two years later, Patricia, together with two of his friends opened a studio, which was engaged in interior design, exhibition halls and restaurants. In 1996, she became canadian centre for architecture the manager of Lissoni - association of designers.
Own studio appeared at Patricia in 2001. That studio and became the place where all the talents and creative personality of the designer. Working canadian centre for architecture individually, the focus is paid to the design of products, interior architecture. The greatest fame it brought canadian centre for architecture numerous developments for Moroso.
Work on the project, Patricia knows how to listen to the wishes of the customer, take into account the features of the company, emphasizing their individuality and uniqueness. canadian centre for architecture Currently Patricia - winner of many international design awards, author of famous works for companies B & B, Moroso, canadian centre for architecture Alessi, Driade, Foscarini, Kartell, Flos, Molteni, Aelano and others.
Each of their projects that Patricia canadian centre for architecture works, it considers the best. Perhaps that is why each of her work turns a complete, concise and elegant of her own style.
Created by Patricia Urquiola furniture describe one or two words hard as to determine what it could be: it can neither be extravagant canadian centre for architecture or sexual stressed or worn or brutal or too subtle or refined. It does not correspond to any particular style or represent themselves in a loud voice. But it differs reasonableness, up to the last detail, context aware and excellent quality. Every thing creates a feeling of comfort and homeliness. In addition, each of them highly individual and has its own character.
Before you create an item, Patricia is exactly where it will be and how it will be used. Therefore, every created thing it attracts attention and arouses curiosity its special elegance.
Creativity Patricia Urquiola is distinguished not only the search for new solutions and original approach to traditional canadian centre for architecture things, but also the ability to make believe manufacturers in her idea. For example, canadian centre for architecture traditional dining chair differs from the classical forms of special soft, cozy interior, combined with comfortable curves. In this case, Patricia urges manufacturers canadian centre for architecture to expand the boundaries of their capabilities. Producing companies know how to produce, and the task of the designer, in her opinion, to convince them that it is necessary to go beyond the boundaries of the production of traditional and standard things.
Amazing flair for materials - another feature of Spanish designer creativity. Each time you select an unexpected material for furniture upholstery or other covering, she guesses the desires of consumers. With preference given to synthetic materials, different high-tech manufacturing. For example, it Baque lamp for Foscarini made of industrial steel mesh which had been dipped in silicon.
Patricia is not afraid to make things clear, but not very fan of glass products, preferring to replace them with other materials. For example,
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